How I Mix Music #2 ...Color
Remember
when you first heard your voice played back to you? Did it sound different than
you thought? You know it did. The reason for it is listed some place other
than here, the point is we all have a tone and timber that make up our own
personal sound …our voice.
Equipment
used for the capture, storage and release of an audio source have a voice too. They all
sound different. Back in the analog era of audio recording each piece of equipment
would sound different from its manufactured duplicate. It’s the reason we’d
look for sequential serial numbers in the mono gear we’d use to couple together for
stereo. They sounded similar, not exact but similar.
Would you
breed a $30K AKC dog with a mutt? Most breeders wouldn't.
I’m the guy however who'll send a source to a remote input on a Hamond C-3 playing through a 122 Leslie speaker, mic’d with two SM-56 in stereo and returned to two in/out (IO) modules to blend into the mix. Then I'll buss that to a cheap spring reverb chained to a stupid expensive EMT 140. And then …then I filtered all the low frequencies
out of the lead vocal track when feeding that source to the chain. Why?
Because I’m
weird, that is why …and because it was exactly the right combination of voiced tonal qualities needed to place the lead vocal in an ethereal place without compromising the low
frequency blending of the rest of the mix. Weird huh?
Each piece of gear has a unique sound. The blending of those sounds are the canvas and colors you bring into the mix.
Next up …Mix
Structure, Building the meat.
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