Who Are We?

 Oh, we’ve all seen the pictures. Pictures in ads and interviews with celebrities sitting at an audio console. Oh yeah, audio engineers get to spend time operating cool looking equipment. We get to "play" with: More Lights per Dollar (MLPD).

If a person is going to make it in the recording studio business ...they must quickly become aware that this is a service business. It is an audio engineer’s job to ensure their client’s needs are met allowing for an optimum performance from them.
                               
Confidence can either sustain or kill you. Audio Engineers are Background People. It’s only been in the past twenty years or so that audio engineers got credit on the projects they poured their hearts and souls into. The best engineer's performances are invisible to the audience they capture for.


What we actually do is to make sensitive people comfortable in a foreign environment. Our time is spent “Listening”. An audio engineer’s job is to listen to more than just the sounds being created on “the other side of the glass”. This is actually the biggest part of my job …listening to people.

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Table of Contents

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It's All in the Talkback For Tom Cody ...and Bruiser ~Welcome to the Show~ Lessons learned from life on the other side of the glass. 1)      The 4 Ups 2)      Cool Plug ins: How do you know? 3)      Cool Plug ins: Its Level 4)      Hang ~Around the Campfire @ The Old School Music House~   A combined 200 years of audio engineering experience sitting around a campfire. 1)      Getting there   2)      Digital / Analog Warriors   3)      How do you know? Call Chips   4)      People knowledge. A lost treasure?   5)      Romantics vs Classics   6)      How did we learn? Under fire     7)      I'm out      ~The Show~ 50 Years of How I Mix Music 00)      3 Screens 01)      Whadda ya need?   02)      Color   03)  ...
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Hang

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 Hang: With the push of a button or the swiping of a finger across a screen ...poof, an audience is entertained. Instantly they are rewarded with the content of their choosing. Seldom if ever does the audience member consider the structural events that have taken place to present their chosen content to them. Be it news, movies or music, the technical aspect of providing media content to a broad market is managed by people. People with feelings and ambitions, not necessarily congruent with one another, work together to deliver the content. Emotion generally weighs heavily over pragmatism when it comes to entertainment. That formula holds true for any human involved with the production of media. The percentages of emotion-over-pragmatism vary with the people involved in its production. News broadcasts are at the low end of the emotion-over scale where music capture is at its highest. Either way, quilts hanging on a garage wall or black walnut walls with motor driven drapes to ...
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You don't see this often ...

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We usually speak of the things we love weighted towards its positive aspect, the ones that attract us. The recording studio business has a lot of positive aspects. Recording Studios are usually dimly lit, vibe filled, creative environments open to social practices you’d never see in any business catering to the general public. Here is my last blog for you who have followed me (Thank you by the way). In analog you have positive and negative energy pulses. In digital you have ones and zeros. Basically, you cannot have one without the other. Think about it …can you have an up without a down, a right without a left, a good without a bad a happy without a sad. The answer is obviously no. To restate …you can’t have one without the other. Here is “the other”: Artistic people are generally “a little different” from polite society. They will most likely present as being sensitive, introverted and reserved. Some come across as pretentious all-knowing people who are some gifts...
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